Box Office Quotes
The best sayings about Box Office that you can share on Instagram, Pinterest, Facebook and other social networks!
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I was never strategic really, but back when I was starting out no one cared. In the acting community, box office didn't matter. I really think it was a mistake when they started paying people like $20 million to do a movie because now it's all people think about. Is she worth it? Is he worth it?
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So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
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What I learned from this movie, 40 Days and 40 Nights: Abstinence can be a very good thing. Especially from box offices where this film is playing.
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After the second Die Hard, Bruce Willis stated he would never do another. He should have stayed firm in his resolve. If quality is any indication (and it may be, with all the available blockbusters), box office returns will be disappointing this time around and, if nothing else, that will do to John McClane what dozens of assorted bad guys couldn't manage: kill him.
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Do not set out to write with your eyes on the box office. It can't be done.
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Women perform great in the box office. Audiences want to see lead female characters.
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Cancer has pizzazz, box office and glamour, and in actual dollars and prestige, even heart and mental can't hold a candle to it. It's a health dodge with a future and everybody who's anybody is jumping in.
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Something's happened in our society which I don't think is beneficial, and that's that you see the public being fed box-office news. Newscasts now, every local station - I've been traveling around the country a lot, and you see the local news, and they give box-office reports.
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I'm more contented and at peace with myself now than I was as a box-office queen. I'm less uptight. I've even reached a stage where it doesn't shatter me if somebody prints something bad about me.
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I would say that Jesus Christ and his followers were a cult, Buddha and his followers were a cult and Mohammed and his followers were a cult. Every religion starts out as a cult and if it becomes 'box office', it is accepted.
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I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
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If I could, I want to take a page from the George Clooney-like actors of the world. They do things that are relevant, things that don't necessarily have huge box office appeal, but they matter.
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I never thought of myself as any kind of a film star, as many films as I've made - and I've made some really fun movies with good people. I've always been paired with someone because I'm not really box office, in that carrying-a-picture sense. I've always been busy, but not in the spotlight.
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The populist zeal to seek revenge on those who make a lot of money is targeted almost exclusively at corporations. I haven't heard outcries about Hollywood actors who make millions per film, even when those movies are a bust at the box office and the talent at issue has none. There's no outrage over athletes like New York Yankees third baseman Alex Rodriguez's $33 million salary or Celtic power forward Kevin Garnett's $25 million. Nor should there be. These are exceptionally talented individuals whose teams' owners think they're worth every penny.
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Jay Carney told the reporters at his morning briefing that he hoped they would watch the new movie about Obama's first term 'many times.' They might. Look how well 'Titanic' did at the box office.
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As an artist, you are always striving toward an ultimate achievement but never seem to reach it. You shoot a film, and the result could have always been better. You try again, and fail once more. In some ways I find it enjoyable. You never lose sight of your goal. I don’t do my job to make money or to break box office records, I simply try things out. What would happen if I were to achieve perfection at some point? What would I do then?
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Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.
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Especially for people who are unknown, it's easier to get a TV show because you don't have to put a certain amount of people in movie theaters for a box office weekend. It's really difficult to get a great lead role in some big film, if nobody knows you.
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Die Hard 2 was okay. It was a little outside the template but it was okay, a hard movie to make technically. Did well at the box office. Successful.
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To the extent that movies get released, they are generally not big box-office generators. Hollywood is clearly focusing on their holiday releases coming up and those will either make or break the year.
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You can measure films on box office success, or people lovin' the movie whenever they see it. That's what I measure my movies on. How much people love these movies after they get a chance to see them, no matter how they get a chance to see them.
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Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games.
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Women were real box office stars in the '40s, more so than men. People loved to see women's films. I think it was better then, except for the studio system.
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I don't think you can name a good picture where the production or the possible promotion isn't "cast-contingent." That means the film needs not just star power but star box office power.
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I start at square one with every role. If I let myself feel pressure, it would crush me. The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie. Sometimes that's a palpable thing, but other times it's not. No actor has control of that. All you can control is your own passion for doing the work in the first place.
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It was fun to play that surreal high school life [in Jawbreaker]. I was a huge fan of the movie Heathers. But I think at the time - you know, when the movie was released, it was a very limited release, and it didn't do very well at the box office. And I love the fact that it has found legs and that the audience has kept growing and growing over the years.
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Hollywood is not known as a culture of grace. Dog-eat-dog is more like it. People love you one day and hate you the next. Personal value is very much attached to box office revenues and the unpredictable and often cruel winds of fashion.
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Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
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Many actors will try something different once, but if it isn't a box office success they'll never do it again. In my opinion, there's no point in going on with this job if you do the same thing over and over again.
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I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
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