Albert Einstein Quotes About Art And Science
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One of the strongest motives that lead men to art and science is escape from everyday life with its painful crudity and hopeless dreariness, from the fetters of one's own ever-shifting desires. A finely tempered nature longs to escape from the personal life into the world of objective perception and thought.
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In my view, it is the most important function of art and science to awaken this feeling and keep it alive in those who are capable of it.
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The intuitive mind is a sacred gift.
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The fairest thing we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. It is the source of all true art and science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle.
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Great spirits have always encountered violent opposition from mediocre minds.
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He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed.
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There are two ways to live: you can live as if nothing is a miracle; you can live as if everything is a miracle. The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt is awe, is as good as dead: his eyes are closed.
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What Artistic and Scientific Experience Have in Common - Where the world ceases to be the scene of our personal hopes and wishes, where we face it as free beings admiring, asking, and observing, there we enter the realm of Art and Science. If what is seen and experienced is portrayed in the language of logic, we are engaged in science. If it is communicated through forms whose connections are not accessible to the conscious mind but are recognized intuitively as meaninful, then we are engaged in art. Common to both is the loving devotion to that which transcends personal concerns and volition.
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The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom the realm of the spirit for your own personal joy and to the profit of the community to which your later work belongs.
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The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift.
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After a certain high level of technical skill is achieved science and art tend to coalesce in aesthetics, plasticity, and form. The greatest scientists are artists as well.
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We should take care not to make the intellect our god; it has, of course, powerful muscles, but no personality.
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Each makes this cosmos and its construction the pivot of his emotional life, in order to find in this way peace and security which he can not find in the narrow whirlpool of personal experience.
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As far as I'm concerned, I prefer silent vice to ostentatious virtue.
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I want to know how God created this world. I am not interested in this or that phenomenon, in the spectrum of this or that element. I want to know God's thoughts, the rest are details.
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All religions, arts and sciences are branches of the same tree.
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One may say the eternal mystery of the world is its comprehensibility.
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It takes a touch of genius - and a lot of courage to move in the opposite direction.
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Make everything as simple as possible, but not simpler. A man should look for what is, and not for what he thinks should be. We cannot solve our problems with the same thinking we used when we created them. A question that sometimes drives me hazy: am I or are the others crazy? Any intelligent fool can make things bigger and more complex... It takes a touch of genius - and a lot of courage to move in the opposite direction. All religions, arts and sciences are branches of the same tree. It's not that I'm so smart, it's just that I stay with problems longer.
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A finely tempered nature longs to escape from the personal life into the world of objective perception and thought.
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Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientists do, each in his own fashion. Each makes this cosmos and its construction the pivot of his emotional life, in order to find in this way peace and security which he can not find in the narrow whirlpool of personal experience.
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How can cosmic religious feeling be communicated from one person to another, if it can give rise to no definite notion of a God and no theology? In my view, it is the most important function of art and science to awaken this feeling and keep it alive in those who are receptive to it.
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Common sense is the collection of prejudices acquired by age eighteen.
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This is what the painter, the poet, the speculative philosopher, and the natural scientists do, each in his own fashion.
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[Mystery] is the fundamental emotion that stands at the cradle of true art and true science.
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Where the world ceases to be the scene of our personal hopes and wishes, where we face it as free beings admiring, asking and observing, there we enter the realm of Art and Science.
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The gift of fantasy has meant more to me than my talent for absorbing positive knowledge.
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The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science. Anyone to whom this feeling is alien, who is no longer capable of wonderment and lives in a state of fear is a dead man.
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To know what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty... this knowledge, this feeling is at the center of true religiousness.
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The most beautiful emotion we can experience is the mystical. It is the power of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead. To know that what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms - this knowledge, this feeling, is at the center of true religiousness. In this sense, and in this sense only, I belong to the rank of devoutly religious men.
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Albert Einstein
- Born: March 14, 1879
- Died: April 18, 1955
- Occupation: Theoretical Physicist