Ayad Akhtar Quotes
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I think there is a lot of continuity between the Jewish and the Islamic traditions. We know this historically, though people don't want to talk about that - especially Muslims. There is a common source for both Judaism and Islam, or let's say that Islam finds its source in Judaism. The commonalities of practice and sensibility, ethos and mythos, create a lot of overlap.
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I feel like that religions generally ask the biggest questions. They may not always have the best answers, but they're the zone of human activity that regularly asks the biggest questions.
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I see the American experience as being defined by the immigrant paradigm of rupture and renewal: rupture with the old world, the old ways, and renewal of the self in a bright but difficult New World.
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In my early 30s, I started to realise I was avoiding something on a personal level, but also as a writer. I was in denial about who I was, and was trying to be someone who I was not.
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Here's the problem: we are living in a time when the act of reading is changing. The nature of a reader's attention is changing. The capacity for deep literary engagement is changing.
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I consider myself to have been formed by a lot of the locutions and aesthetics and principles of the Muslim way of life, and those are an important part of my childhood and my identity.
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I have no interest in problematizing things. So what I am writing to is that simple sense of being human in myself.
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I don't feel that as an artist my job is to offer PR propaganda, whether for the good or for the bad.
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I can't be a spokesman for anything other than my own concerns. I have to be free to wrestle with my own preoccupations, and if I'm bringing any political awareness to that process, that mitigates my freedom.
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I don't have an ideal reader. I'm trying to reach something simple and, I believe, universal, in every single person.
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Religion has been an important part of my understanding, my inquiry into what it means to be human.
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I don't know what it's like to be Jewish, but I suspect there is some aspect of that: being Jewish is the thing that bonds you as opposed to being Jewish from Poland, or Jewish from Hungary.
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I've always felt a connection to kids who go to church. I think I'm fundamentally a religiously oriented and religiously minded person. It's very easy for me to communicate with people who have that same grounding, that same vocabulary or modality of thinking and expressing themselves.
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If you want to really deeply touch the viewer or the reader, the theater might be the most powerful way to do it.
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I feel like one of the things that is central to American life is the religious experience, and I think that the experience of being Muslim in America is as valid and as important a perspective on the religious experience of America as evangelical Christianity or Judaism - whatever it may be.
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The secret of a happy life is respect. Respect for yourself and respect for others.
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I don't want to test that simple sense of being human. I don't want to transform it.
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I'm a storyteller. I feel like the issue of discourse is an important one because there's a lot of political and ideological discourse that goes around, and we relate to that on an intellectual level.
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I think that literary forms are losing their capacity to connect people to issues, to the experiences that feel most meaningful to them.
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The Quran is many different things, and we also have to see the Quran almost as a secondary source commenting on the Old Testament.
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I think of myself as a narrative artist. I don't think of myself as a novelist or screenwriter or playwright. All of those modalities of processing and experiencing narrative are obviously very different, and I'm not sure that I prefer any one to the other. I think the novel gives you the opportunity to have a kind of interiority that you can't have in the theater, which is pure exteriority.
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I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.
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Sooner or later we've all got to confront the reality that we have got to come to understand who we are and what we're doing, and the extent to which we are guided or manipulated by forces that are beyond our control.
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