Elizabeth Hardwick Quotes

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  • Sentences in which I have tried for a certain light tone -- many of those have to do with events, upheavals, destructions that caused me to weep like a child.

    Children   Light   Events  
  • A letter is not a dialogue or even an omniscient exposition. It is a fabric of surfaces, a mask, a form as well suited to affectations as to the affections. The letter is, by its natural shape, self-justifying; it is one's own evidence, deposition, a self-serving testimony. In a letter the writer holds all the cards, controls everything about himself and about those assertions he wishes to make concerning events or the worth of others. For completely self-centered characters, the letter form is a complex and rewarding activity.

    Character   Self   Wish  
    Elizabeth Hardwick (2011). “Seduction and Betrayal: Women and Literature”, p.195, New York Review of Books
  • [On sociability in Italy:] You may be a hermit or an innkeeper.

  • Here in the city the worst thing that can happen to a nation has happened: we are a people afraid of its youth.

    Cities   People   Youth  
    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
  • Now, my novel begins. No, now I begin my novel—and yet I cannot decide whether to call myself I or she.

    Novel  
  • Mothers born on relief have their babies on relief. Nothingness, truly, seems to be the condition of these New York people. They are nomads going from one rooming house to another, looking for a toilet that functions.

    Mother   Baby   New York  
    Elizabeth Hardwick (2017). “The Collected Essays of Elizabeth Hardwick”, p.107, New York Review of Books
  • It's one of the things writing students don't understand. They write a first draft and are quite disappointed, or often should be disappointed. They don't understand that they have merely begun, and that they may be merely beginning even in the second or third draft.

    Writing   May   Firsts  
  • Sex, without society as its landscape, has never been of much interest to fiction.

    Sex   Fiction   Landscape  
    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
  • The laughter of adults was always very different from the laughter of children. The former indicated a recognition of the familiar, but in children it came from the shock of the new.

  • Art is a profession, not a shrine.

    Art   Shrines   Art Is  
    Elizabeth Hardwick (1962). “A View of My Own: Essays on Literature and Society”
  • Since films and television have staged everything imaginable before it happens, a true event, taking place in the real world, brings to mind the landscape of films.

    Movie   Real   Mind  
    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
  • The private and serious drama of guilt is not often a useful one for fiction today and its disappearance, following perhaps the disappearance from life, appears as a natural, almost unnoticed relief, like some of the challenging illnesses wiped out by drug and vaccines.

    Drama   Vaccines   Drug  
    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
  • Boston - wrinkled, spindly-legged, depleted of nearly all her spiritual and cutaneous oils, provincial, self-esteeming - has gone on spending and spending her inflated bills of pure reputation, decade after decade.

    Spiritual   Self   Boston  
    Elizabeth Hardwick (1962). “A View of My Own: Essays on Literature and Society”
  • Many people believe letters the most personal and revealing form of communication. In them, we expect to find the charmer at his nap, slumped, open-mouthed, profoundly himself without thought for appearances. Yet, this is not quite true. Letters are above all useful as a means of expressing the ideal self; and no other method of communication is quite so good for this purpose. In conversation, those uneasy eyes upon you, those lips ready with an emendation before you have begun to speak, are a powerful deterrent to unreality, even to hope.

    Elizabeth Hardwick (2017). “The Collected Essays of Elizabeth Hardwick”, p.27, New York Review of Books
  • Books give not wisdom where none was before. But where some is, there reading makes it more.

    Reading   Book   Giving  
  • I have come to the belief that there is not merely an accidental relationship between bad writing and routine sociological research, but a wonderfully pure, integral relationship; the awkwardness is necessary and inevitable.

  • Making a living is nothing; the great difficulty is making a point, making a difference-with words.

    Elizabeth Hardwick (2017). “The Collected Essays of Elizabeth Hardwick”, p.112, New York Review of Books
  • History ... with its long, leisurely, gentlemanly labors, the books arriving by post, the cards to be kept and filed, the sections to be copied, the documents to be checked, is the ideal pursuit for the New England mind.

    Book   Long   History  
    Elizabeth Hardwick (1962). “A View of My Own: Essays on Literature and Society”
  • The greatest gift is a passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind. It is a moral illumination.

  • I am alone here in New York, no longer a we.

  • Harvard (across the river in Cambridge) and Boston are two ends of one mustache. ... Without the faculty, the visitors, the events that Harvard brings to the life here, Boston would be intolerable to anyone except genealogists, antique dealers, and those who find repletion in a closed local society.

    Two   Rivers   Boston  
    Elizabeth Hardwick (1962). “A View of My Own: Essays on Literature and Society”
  • The fifties - they seem to have taken place on a sunny afternoon that asked nothing of you except a drifting belief in the moment and its power to satisfy.

    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
  • Self-love is an idolatry. Self-hatred is a tragedy.

    Love Is   Self   Hatred  
    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
  • How certain human beings are able to create works of art is a mystery, and why they should wish to do so, at a great cost to themselves usually, is another mystery. Works are not created by one's life; every life is rich in material.

    Art   Wish   Cost  
    Elizabeth Hardwick (1998). “Sight-readings: American Fictions”, Random House Incorporated
  • Sex can no longer be the germ, the seed of fiction. Sex is an episode, most properly conveyed in an episodic manner, quickly, often ironically. It is a bursting forth of only one of the cells in the body of the omnipotent I, the one who hopes by concentration of tone and voice to utter the sound of reality.

    Sex   Reality   Cells  
    Elizabeth Hardwick (2011). “Seduction and Betrayal: Women and Literature”, p.205, New York Review of Books
  • It is June. This is what I have decided to do with my life just now. I will do this work and lead this life, the one I am leading today. Each morning the blue clock and the crocheted bedspread, the table with the Phone, the books and magazines, the Times at the door.

    Morning   Book   June  
  • Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass.

    Art   Glasses   Silence  
    Elizabeth Hardwick (1998). “Sight-readings: American Fictions”, Random House Incorporated
  • Memory - the very skin of life.

    Memories   Skins  
    Elizabeth Hardwick (1962). “A View of My Own: Essays on Literature and Society”
  • the great is seldom a deterrent to the mediocre

    Elizabeth Hardwick (2011). “Seduction and Betrayal: Women and Literature”, p.6, New York Review of Books
  • The language of the younger generation has the brutality of the city and an assertion of threatening power at hand, not to come. It is military, theatrical, and at its most coherent probably a lasting repudiation of empty courtesy and bureaucratic euphemism.

    Military   Hands   Cities  
    Elizabeth Hardwick (1984). “Bartleby in Manhattan, and Other Essays”, Vintage
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  • We hope you have found the saying you were looking for in our collection! At the moment, we have collected 47 quotes from the Novelist Elizabeth Hardwick, starting from July 27, 1916! We periodically replenish our collection so that visitors of our website can always find inspirational quotes by authors from all over the world! Come back to us again!
    Elizabeth Hardwick quotes about: Art Books Character Reading Writing