Hans Hofmann Quotes About Art
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The general misunderstanding of a work of art is often due to the fact that the key to its spiritual content and technical means is missed. Unless the observer is trained to a certain degree in the artistic idiom, he is apt to search for things which have little to do with the aesthetic content of a picture. He is likely to look for pure representational values when the emphasis is really upon music-like relationships.
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There is in reality no such thing as modern art. Art is carried on up and down in immense cycles through centuries and civilizations.
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Every art expression is rooted fundamentally in the personality and temperament of the artist.
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The art of pictorial creation is so complicated - it is so astronomical in its possibilities of relation and combination that it would take an act of super-human concentration to explain the final realization.
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Art cannot result from sophisticated, frivolous, or superficial effects.
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When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.
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Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
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What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.
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The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
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Art leads to a more profound concept of life, because art itself is a profound expression of feeling. The artist is born, and art is the expression of his overflowing soul. Because his soul is rich, he cares comparatively little about the superficial necessities of the material world; he sublimates the pressure of material affairs in an artistic experience.
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The creative process lies not in imitating, but in paralleling nature - translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive, and every work of art should be alive.
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Art is something absolute, something positive, which gives power just as food gives power. While creative science is a mental food, art is the satisfaction of the soul.
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To sense the invisible and to be able to create it, that is art.
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Art and science create a balance to material life and enlarge the world of living experience. Art leads to a more profound concept of life, because art itself is a profound expression of feeling.
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Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.
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Art is the expression of the artist´s overflowing soul.
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To me, art is the glorification of the human spirit.
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A work of art is a world in itself reflecting senses and emotions of the artist's world. Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament.
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Nature's purpose in relation to the visual arts is to provide stimulus not imitation. From its ceaseless urge to create springs all Life - all movement and rhythm - time and light, color and mood - in short, all reality in Form and Thought.
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A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis.
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The difference between the arts arises because of the difference in the nature of the mediums of expression and the emphasis induced by the nature of each medium. Each means of expression has its own order of being, its own units.
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The product of movement and counter-movement is tension. When tension working strength is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.
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It takes intelligence and training, self-discipline and fine-sensibility, to gain renewed life through leisure occupation. America now suffers spiritual poverty, and art must become more fully American life before her leisure can become culture.
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The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
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A work of art is a world in itself reflecting senses and emotions of the artist's world.
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