James Joyce Quotes About Writing

We have collected for you the TOP of James Joyce's best quotes about Writing! Here are collected all the quotes about Writing starting from the birthday of the Novelist – February 2, 1882! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 13 sayings of James Joyce about Writing. We will be happy if you share our collection of quotes with your friends on social networks!
  • Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

    James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.3562, e-artnow
  • Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.

    James Joyce, Kevin Barry, Conor Deane (2000). “Occasional, Critical, and Political Writing”, p.59, Oxford University Press, USA
  • O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me youve no chances at all inthis place like you used long ago I wish somebody would write me a loveletter.

    James Joyce (2016). “ULYSSES (Modern Classics Series)”, p.681, e-artnow
  • There is an atmosphere of spiritual effort here. No other city is quite like it. I wake early, often at 5 o'clock, and start writing at once.

  • I have the words already. What I am seeking is the perfect order of words in the sentence. You can see for yourself how many different ways they might be arranged.

  • For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.

    James Joyce (2016). “Stephen Hero & A Portrait of the Artist as a Young Man (Two Autobiographical Novels): Including Biography of the Author”, p.386, e-artnow
  • The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously

  • No pen, no ink, no table, no room, no time, no quiet, no inclination.

    James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.3988, e-artnow
  • My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis.

    "A brief survey of the short story part 32: James Joyce" by Chris Power, www.theguardian.com. March 9, 2011.
  • What's in a name? That is what we ask ourselves in childhood when we write the name that we are told is ours.

    James Joyce (2013). “Delphi Complete Works of James Joyce (Illustrated)”, p.390, Delphi Classics
  • I shall write a book some day about the appropriateness of names. Geoffrey Chaucer has a ribald ring, as is proper and correct, and Alexander Pope was inevitably Alexander Pope. Colley Cibber was a silly little man without much elegance and Shelley was very Percy and very Bysshe.

  • I've put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that's the only way of insuring one's immortality.

    James Joyce, Jeri Johnson (2008). “Ulysses”, p.10, Oxford Paperbacks
  • If there is any difficulty in what I write, it is because of the material I use. The thought is always simple.

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