American Movie Quotes
The best sayings about American Movie that you can share on Instagram, Pinterest, Facebook and other social networks!
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Keep your friends close, but your enemies closer.
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Even some of us who make movies underestimate their influence abroad. American movies sell American culture. Foreigners want to see American movies. But that's also why so many foreign governments and groups object to them.
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If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.
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In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.
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One thing I don't understand is that average American movie-goers cannot watch a movie for three hours, yet they'll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.
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Oh, don't let's ask for the moon. We've already got the stars.
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It's like everybody is obsessed with Hollywood movies worldwide. And even though everybody hates the Americans, they're still watching American movies.
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Carpe diem. (Seize the day.)
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I ate his liver with some fava beans and a nice chianti
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American movies and music deliver themes of freedom, innocence, and power that appeal to others - partly because America itself was put together out of a multiplicity of national traditions.
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Two-thirds of American movies are extensions of commercials -- they tell you how to feel and they tell you how to think -- rather than letting you figure it out on your own.
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I'm less comfortable making American movies because I don't know them so well.
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I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.
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American movies show you how to fight and break armsand necks. I want to make the action in my movies like dancing.
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I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows.
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After 10 years of French torture - psychological torture - it's great to do an American movie.
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I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?
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Like most people raised on American movies, I have poor access to my emotions, but can banter like a motherfucker.
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The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof
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Ladies and gentlemen, my mother thanks you, my father thanks you, my sister thanks you, and I thank you!
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So one of the most unique things on screen in American movies today is everyday behavior.
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Romanian movies are not made the same as American movies are, only because it's newer there. For instance, cigarettes, over there, are much more prominent, and Americans aren't used to that.
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I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.
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America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid. I was brought up on American films.
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All of my favourite actors are American and I grew up watching American movies. It's weird, but I used to do a New Jersey accent in every audition in the States just because I liked to do it, really. It's completely bizarre. Everybody would ask: 'Where are you from?' And I would say, 'Oh, I'm from London.'
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Being an American means never having to say you're sorry.
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When we came to America, the movies here needed a "new wave." European films looked totally different than American movies, which were these lush, glossy pictures with this elaborate production design.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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Its a big problem for American movies that all their movies are produced to be global.
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You can't handle the truth!
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