Art Of War Quotes
The best sayings about Art Of War that you can share on Instagram, Pinterest, Facebook and other social networks!
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In war, numbers alone confer no advantage. Do not advance relying on sheer military power.
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Therefore the good fighter will be terrible in his onset, and prompt in his decision.
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Appear weak when you are strong, and strong when you are weak.
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Place your army in deadly peril, and it will survive; plunge it into desperate straits, and it will come off in safety.
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When strong, avoid them. If of high morale, depress them. Seem humble to fill them with conceit. If at ease, exhaust them. If united, separate them. Attack their weaknesses. Emerge to their surprise.
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On dispersive ground, therefore, fight not. On facile ground, halt not. On contentious ground, attack not. On open ground, do not try to block the enemy's way. On the ground of intersecting highways, join hands with your allies. On serious ground, gather in plunder. In difficult ground, keep steadily on the march. On hemmed-in ground, resort to stratagem. On desperate ground, fight.
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God is not willing to do everything, and thus take away our free will and that share of glory which belongs to us.
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It ought to be remembered that there is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take the lead in the introduction of a new order of things. Because the innovator has for enemies all those who have done well under the old conditions, and lukewarm defenders in those who may do well under the new. This coolness arises partly from fear of the opponents, who have the laws on their side, and partly from the incredulity of men, who do not readily believe in new things until they have had a long experience of them.
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In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory. In battle, there are not more than two methods of attack.. the direct and the indirect; yet these two in combination give rise to an endless series of maneuvers.
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In warfare, there are no constant conditions. He who can modify his tactics in relation to his opponent will succeed and win.
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Now the reason the enlightened prince and the wise general conquer the enemy whenever they move and their achievements surpass those of ordinary men is foreknowledge.
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It is the rule in war, if ten times the enemy's strength, surround them; if five times, attack them; if double, be able to divide them; if equal, engage them; if fewer, defend against them; if weaker, be able to avoid them.
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He will win who knows when to fight and when not to fight.
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There are five dangerous faults which may affect a general: recklessness, which leads to destruction; cowardice, which leads to capture; a hasty temper, which can be provoked by insults; a delicacy of honour, which is sensitive to shame; over-solicitude for his men, which exposes him to worry and trouble.
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Attack where he is unprepared; sally forth when he does not expect you.
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When he utilizes combined energy, his fighting men become, as it were, like rolling logs or stones... The energy developed by good fighting men is as the momentum of a round stone rolled down a mountain thousands of feet in height.
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Prohibit the taking of omens, and do away with superstitious doubts. Then, until death itself comes, no calamity need be feared.
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I then discovered the Pop Art of Warhol, Lichtenstein, and Peter Max. I was inspired that these fun and colourful images could be presented seriously on canvas.
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Christopher Lynch has made the best and the first careful translation of Machiavelli's Art of War. With useful notes, an excellent introduction, an interpretive essay, glossary, and index, it is a treasure for readers of military history and Renaissance thought as well as for lovers of Machiavelli.
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Should the enemy forestall you in occupying a pass, do not go after him if the pass is fully garrisoned, but only if it is weakly garrisoned.
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Every one sees what you appear to be, few really know what you are, and those few dare not oppose themselves to the opinion of the many, who have the majesty of the state to defend them.
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I believe that it is possible for one to praise, without concern, any man after he is dead since every reason and supervision for adulation is lacking.
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War is a matter of vital importance to the state; the province of life or death; the road to survival or ruin. It is mandatory that it be thoroughly studied.
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Fighting isn't all there is to the Art of War. The men who think that way, and are satisfied to have food to eat and a place to sleep, are mere vagabonds. A serious student is much more concerned with training his mind and disciplining his spirit than with developing martial skills.
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Unless you know the mountains and the forests, the defiles and impasses, the lay of the marshes and swamps, you cannot maneuver with an armed force. Unless you use local guides, you cannot get the advantages of the land.
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The skillful leader subdues the enemy's troops without any fighting.
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In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory.
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Thus, though I have heard of successful military operations that were clumsy but swift, cleverness has never been seen associated with long delays.
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The nature of man is such that people consider themselves put under an obligation as much by the benefits they confer as by those they receive.
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It was part of war; men died, more would die, that was past, and what mattered now was the business in hand; those who lived would get on with it. Whatever sorrow was felt, there was no point in talking or brooding about it, much less in making, for form's sake, a parade of it. Better and healthier to forget it, and look to tomorrow.The celebrated British stiff upper lip, the resolve to conceal emotion which is not only embarrassing and useless, but harmful, is just plain commons sense
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