Dior Quotes
The best sayings about Dior that you can share on Instagram, Pinterest, Facebook and other social networks!
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My aim is a very modern Dior, but at the end of the day, I also look back.
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At LVMH, we have amazing heritage brands, and we put interesting talents in those brands, sometimes very young, like we did at Givenchy with Riccardo Tisci at the time, or like we just did with J.W. Anderson at Loewe, but also talents that are already further along in their careers, like Raf Simons at Christian Dior or Nicolas at Vuitton.
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My mum worked as a secretary for Christian Dior. She looked like a movie star.
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I am a makeup junkie... Yves St. Laurent, Christian Dior, and anything else that looks good.
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In any given marketplace, there's a triangle. There's a line of Dior goods at $25,000 that creates the sharp focus you need to sell $100 scarves to every woman. When [Design Miami] Basel popped on the scene, it proved there's a market for the top of the design triangle, which will lead the wide base beneath it.
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On 9/11, that morning, I was in a Christian Dior Couture appointment at the Hotel Pierre.
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My religious background is that my mother is a Christian Dior Scientist.
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My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah, in both collections there was a very strong focus on the human hand and the actual work of people making garments. So in that sense, they were completely related. But I didn't realize that during the process.
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In my opinion, Christian Dior was never, ever theatre.
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Dior jeans are one of my favorites.
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I love Dior products. They have this Capture Totale One Essential Skin Boosting Super Serum that gives you fresh, glowing, dewy skin.
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Your priority has to be the creativity - and build a brand. That's what everybody did - Balenciaga, Dior, Saint Laurent. That's the smart thing to do.
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And even being in the middle of it, at the LVMH group with Dior, there are certain parts of it that I'm just not really in, because it's not in me or my nature. The whole scene around it, the events, the photography ... It's never really been my thing. But I don't take a critical position on people who are very much about that either.
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With Dior Haute Couture, the dream is already there.
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Never darken my Dior again!
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I would prefer to use the word free. I think the Dior thing is so much freer. There was not so much free about Jil's way of working.
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Working in the context of ultra-famous brands like Dior and Vuitton, creative spirits are always going to feel reined in. It's important that they are free to develop ideas. And rather than detracting from the principal job, it reinforces it. I think of that money as venture capital. It's not a big investment.
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Dior makes the best lip glosses going. I'm nuts about them, especially the clear one with the silver sparkles. I got addicted to DiorShow Mascara, too. It makes you look like you're wearing false eyelashes. It's the only one that rivals Maybelline.
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I did that Dior Couture 60th anniversary show in July. It took so long to get ready, I think I would have rather been watching.
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The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.
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My dreams came true while wearing the opening look from the spring/summer 2010 Dior ready-to-wear collection. I will never forget how special I felt opening John Galliano's show, like I was living a dream.
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I’m elated. I guess it’s better late than never. Welcome to the 21st century. It’s fantastic. I love Dior, and Rihanna is very much one of my style icons. I’m happy they got there in the end. I adore her style. She loves fashion, she’s unafraid. She uses her imagination, which is something we should all strive to do.
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[To waiter who had spilled soup on her:] Never darken my Dior again!
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He thinks he is a flower to be looked at And when he pulls his frilly nylon pants right up tight He feels a dedicated follower of fashion. When a waiter at Buckingham Palace spilled soup on her dress: Never darken my Dior again!
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I tried to show that fashion is an art. For that, I followed the counsel of my master Christian Dior and the imperishable lesson of Mademoiselle Chanel. I created for my era and I tried to foresee what tomorrow would be.
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I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
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I was making $50 a week as a house model at Christian Dior for nine months before I learned that photographic models made $50 an hour!
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I think women dress for other women to let them know what their deal is. Because if women were only dressing for men, there would be nothing but Victoria's Secret. There would be no Dior.
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I'll never give up my Dior mascara.
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I don't see Dior as something that could become mine. I see it as a dialogue with the women who wear it. I want to stay connected to them rather than to an abstract brand.
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