Electronic Music Quotes
The best sayings about Electronic Music that you can share on Instagram, Pinterest, Facebook and other social networks!
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In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
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It’s very strange how electronic music formatted itself and forgot that its roots are about the surprise, freedom, and the acceptance of every race, gender, and style of music into this big party.
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At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.
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I'm a huge electronic-music fan.
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I'm a very optimistic person. I have the chance to listen to so much phenomenal music. Connecting with social networking to create music is a progression of what electronic music does anyway - it connects people.
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Electro is today's disco - making electronic music not for the sake of selling it but for sharing it and touring around the world D.J.-ing.
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With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
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Tantric Buddhism is just a collection of things that work by doing them. And sometimes we add new things. We have electronic music; we did not have it in Tibet.
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Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.
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It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door.
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You can begin to see an amalgamation of cultures, the real beginning of one world. Ten years ago, it would have been impossible to imagine a Cockney singing group with a Southern Negro style and Indian and electronic music. I wonder if people have even noticed what a tremendous cultural signal the Beatles are.
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Independence has been key to the success and sustained growth of electronic music over the past 25 years.
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If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
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People call me a bedroom electronic musician, which I suppose I am. But I hate most electronic music; I find it really boring.
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Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
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Don't be a prisoner of your own style!
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What we call music is what reminds us of ourselves. And sometimes electronic music helps lead the imagination to a space that seems outside of ourselves. But it never really is.
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Maybe one day there will finally be an education for electronic music.
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I think a lot people get caught up with the synthetic quality of electronic music, but me, I've always been more interested in all those more natural sounds, in organic electricity. That's something that I want to continue to work with.
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In the 80s, if you wanted to make electronic music, it was a much tougher and more expensive process. For many people it would involve either spending loads of money on gear or else cutting demos in a proper studio. But I had this Casio keyboard and tape recorder and used to do stuff in my bedroom - I'd listen to Mantronix and all that. That was what I had so that's what I used.
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I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.
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When it comes to electronic music, I started listening to a lot of Daft Punk, way before I knew what house music was, and then progressed into a lot of Steve Angello, Eric Prydz, Axwell, Sebastian Ingrosso, and Laidback Luke.
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I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.
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It is the element I miss in electronic music - no performance, no loving immersion. Maybe that is why I was never particularly drawn to electronic music.
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By the time I got to building synthesizers, I had perhaps 20 years experience building electronic musical instruments.
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When I was doing mainly music, I used to stick a microphone out the window, into the countryside, and create a live mix. I wanted to put air in electronic music. I record the sounds of twigs, barks, and stones. I've always been obsessed with the idea of combining the natural and the man-made. It's not because I think the technology is crap, or that I'm trying to work against it, but that juxtaposition is truly beautiful. The question of what is natural and unnatural is very open.
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Electronic music is so weird because trends change so fast.
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The good thing, really, is that electronic music started as a fringe subculture, and now it's the biggest youth culture in the world. People pretty much everywhere go crazy for electronic music.
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I'm a real big electronic music nut; when I was young I listened to musique concrète, German music from Cologne in the early 50s, all kinds of stuff.
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If anything, a lot of electronic music is music that no one listens to at home, hardly. It's really only to be heard when everyone's out enjoying it.
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