Folk Music Quotes
The best sayings about Folk Music that you can share on Instagram, Pinterest, Facebook and other social networks!
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I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.
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Punk is just as much a form of folk music as anything is!
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I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
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Rock ’n roll is really swing with a modern name. It began on the levees and plantations, took in folk songs, and features blues and rhythm. It's the rhythm that gets to the kids – they're starved of music they can dance to, after all those years of crooners.
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The way I approach things is from an experimental folk music standpoint.
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Folk Music is the map of singing.
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Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.
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More and more, I see myself as a folk musician, and someone who values context.
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I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
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I was involved in the Great Folk Music scare back in the sixties, when it almost caught on.
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I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.
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I came through folk music simply because it was easy to get into it.
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Folk music is a bunch of fat people.
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Folk music has always contained a concern for the human condition. And since it brings people into it from different points of view, that can help illuminate what a consensus might be to important issues.
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As I've grown older I've been more influenced by more meandering styles of guitar playing, whether it's Celtic or Ethiopian folk music or some kind of noisier jazz like Sonny Sharrock. In terms of songwriting, I don't know that I could even pin it down.
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I was reared on folk music.
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A professional entertainer who allows himself to become known as a singer of folk songs is bound to have trouble with his conscience provided, of course, that he possesses one. As a performing artist, he will pride himself on timing and other techniques designed to keep the audience in his control ... his respect for genuine folklore reminds him that these changes, and these techniques, may give the audience a false picture of folk music.
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So, you know, there are a lot of the biggest records of the year. There's great music in hip-hop and jazz and, you know, and folk music.
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I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
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There are two types of folk music: quiet folk music and loud folk music. I play both.
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I came late to the genre of folk music.
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Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.
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My dad, the old professor, used to say, 'Never get into an argument about what's folk music and what isn't.'
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I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.
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We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
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I think that anything is a form of folk music. That's just me being glib, but the thing I like the best about humans, and there are not many other things besides this, is that humans make culture. If you're an artist, a big part of folk is noticing what other people are doing and incorporating it and changing it - the way that songs warp and change over time.
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Folk music isn't owned by anybody. It is owned by everybody, like the national parks, the postal system, and the school system. It's our common property. There is nobody's name on it. Nobody can make money on it. It's not copywritten.
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Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
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Action is the antidote to despair.
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I think the music that's part of your heritage is what you spend a lot of your early life rejecting. The very idea of folk music would break me out in hives until I was about 28. But I think it's nice when you eventually do come back to it. It's like coming home, and you realize it wasn't so bad after all.
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