Psychedelic Quotes
The best sayings about Psychedelic that you can share on Instagram, Pinterest, Facebook and other social networks!
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The thing that seemed to me so important about the psychedelic experience was that it happened to me. I wasn't reading John Chrysostom or Meister Eckhart. And so I assumed that I am a very ordinary person, therefore, if it happened to me it could happen to anyone.
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I believe that what makes the psychedelic experience so central is that it is a connection into a larger modality of organization on the planet, which is a fancy way of saying it connects you up to the mind of Nature Herself.
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The infinite vibratory levels, the dimensions of interconnectedness are without end. There is nothing independent. All beings and things are residents in your awareness.
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I've never had a problem with drugs. I've had problems with the police.
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The real secret of magic is that the world is made of words, and that if you know the words that the world is made of you can make of it whatever you wish.
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Psy Free was a trio consisting of guitar, organ and drums. I was the drummer. We did what the name suggests: psychedelic, free music.
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My altered perception of reality while on psychedelic drugs came as a total shock to me.
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To be honest, I wasn't crazy about the kind of poetry I found in high school English books. I didn't get really excited about poetry until I discovered Lorca in college. If it wasn't for surrealism, I'm not sure I'd have become so involved in poetry. I was attracted by the extravagant imagery and elements of fantasy. This was in the '70s and it seemed to fit the psychedelic mood of the times. I found it liberating.
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I think we stumbled onto our own sort of lore back in high school. We weren't with the drinkers, we were more the psychedelic warriors. We sat around watching horror films.
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I've always loved that film ['The Three Caballeros'], and we were looking for a way to apply it to our own work, and 'Trolls' was it - psychedelic, musical and kinetic insanity.
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Everything appears to me to be authored, in some strange way. And I wonder if this is not the spreading assumption of the psychedelic illusion/delusion/revelation that life is in fact art.
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It puts people who are into this psychedelic thing in an entirely different stance from all other spiritual seekers, because all other spiritual seekers are furiously seeking. Psychedelic people are holding it back with all their power, because they are in the presence of the mystery. And then the trick is to get a spigot on it so that it can be turned on and off rather than coming at you like a tidal wave a mile high and twenty miles wide.
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I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, "Oh! Everything has a point, and if it doesn't, then there's a point to it".
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Anyone who grew up in the psychedelic '60s probably experienced their share of hypnagogic fireworks. Just as sex got me hooked on anatomy, so drugs were probably what first got me interested in entoptic phenomena, phosphenes, and hypnagogic imagery.
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I ask of cinema what most North Americans ask of psychedelic drugs.
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You're only as young as the last time you changed your mind.
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Through all of history mankind has ingested psychedelic substances. Those substances exist to put you in touch with spirits beyond yourself, with the creator, with the creative impulse of the planet.
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Once you have the psychedelic tool in hand then some real choices have to be made.
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No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
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The psychedelic species of visual beauty is something we don't see in our furniture styles and our architecture. It seems to be coming in, literally, from another dimension, and yet it is undeniably moving. It's beautiful.
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In consciousness dwells the wondrous, with it man attains the realm beyond the material, and the Peyote tells us, where to find it.
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The Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet - and without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set.
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I loved underground comics and psychedelic art. I did like some supernatural horror, but mainly fantasy. I was into escapism.
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What is always left out of descriptions of the psychedelic state, the deep psychedelic state, is how weird it is.
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I think that the whole thing, the crux of the whole psychedelic issue, is that it accentuates personal responsibility by making people take their own experiences seriously.
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I always wanted to make a cover album consisting of obscure psychedelic music from the 1960s - all re-shaped and customized, Ulver style.
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My normal lectures deal with the psychedelic experience as a generalized and historical phenomenon, but this effort at communication is slightly more personal in that it's an effort to impart [just] one idea that came out of an involvement with psychedelic substances.
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There is a wealth of information built into us ... tucked away in the genetic material in every one of our cells ... without some means of access, there is no way even to begin to guess at the extent and quality of what is there. The psychedelic drugs allow exploration of this interior world, and insights into its nature.
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All of you who have been through high dose psychedelic experiences know that it's very hard to carry stupid baggage through that keyhole. In fact you're lucky if you just get your soul and yourselves through and intact.
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I didn't want to make a record that's just drones or completely experimental. A lot of the time bands that make this psychedelic style of music are just a bunch of dudes hanging out together and jamming.
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