Portraiture Quotes

On this page you will find all the quotes on the topic "Portraiture". There are currently 105 quotes in our collection about Portraiture. Discover the TOP 10 sayings about Portraiture!
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  • What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting.

  • God often lays the sum of His amazing providences in very dismal afflictions; as the limner first puts on the dusky colors, on which he intends to draw the portraiture of some illustrious beauty.

    Stephen Charnock, William Symington (1847). “The Choice Works of the Rev. Stephen Charnock, B.D.: With His Life and Character”, p.24
  • If faces were not alike, we could not distinguish men from beasts; if they were not different, we could not tell one man from another.

  • Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.

    Art   Pain   Book  
    Oscar Wilde, Russell Jackson, Joseph Bristow, Ian Small (2000). “The Complete Works of Oscar Wilde: The picture of Dorian Gray : the 1890 and 1891 texts”, p.7, Oxford University Press on Demand
  • An act of naming should quite rightly enable me to call any-thing a self-portrait, not only any drawing, 'portrait' or not, but everything that happens to me, that I can affect, or that affects me.

  • The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.

    "The Quotable Artist". Book by Peggy Hadden, p. 71, 2002.
  • What I remember about being painted was a very severe atmosphere. I remember her intensity and sharp glance.

  • What it is is a type of editorialization, you know? This is self-portraiture. This is what you think about the world we live in.

    Source: www.aaa.si.edu
  • I am living a new and exalted life of late. It steeps me in a sacred rapture to see a portrait develop and take soul under my hand. First, I throw off a study - just a mere study, a few apparently random lines - and to look at it you would hardly ever suspect who it was going to be; even I cannot tell, myself.

    Hands   Soul   Portraits  
    Mark Twain (1933). “Mark Twain's works”
  • I wanted to make photographs that were immediate and revealing - different from traditional portraiture that called for formal distance between artist and subject.

    Wendy Ewald, Adam D. Weinberg, Urs Stahel (2000). “Collaborative works with children 1969-1999”, Scalo Verlag Ac
  • I always work directly from life, partly because I really enjoy having an interaction with the person in front of me but also because I love having a direct response to shape and color.

  • Don't listen to the fools who say that pictures of people can be of no consequence, or that painting is dead. There is much to be done.

  • I have a really strong suspicion of the romantic nature of portraiture, the idea that you're telling some essential truth about the interior lives of your subject.

    Source: www.aaa.si.edu
  • Portraiture keeps me humble. It's simple and straightforward. There is nothing more interesting I can make up than the figure sitting right in front of me.

    "Biography/ Personal Quotes". www.imdb.com.
  • Herein lies the main objective of portraiture and also its main difficulty. The photographer probes for the innermost. The lens sees only the surface... .

    Philippe Halsman (1972). “Halsman sight and insight”
  • Like Chekhov, I am a collector of souls... if I hadn't been an artist, I could have been a psychiatrist.

  • Nothing in a portrait is a matter of indifference. Gesture, grimace, clothing, decor even - all must combine to realize a character.

    Charles Baudelaire, Jonathan Mayne (1981). “Art in Paris 1845-1862: salons and other exhibitions”
  • You start with a generic body, but I think the first wall you hit with portraiture is comprised of history and storytelling and the nature of characters - whether they are historical or coming from literature or documentation. Those are the references we have to people, besides your family, and the intimacy of portraiture is in the specifics of individuals. For me, it came out of doing things about animals.

    Source: crushfanzine.com
  • We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's just sort of in our DNA. And so portraiture is a very human act.

    Thinking   Dna   Needs  
    Source: www.aaa.si.edu
  • I try to paint from life, but I had such a miserable experience with Bonaparte, who wouldn't sit still and kept mumbling about catching a cold and something incoherent about Wellington , so I finally decided to work from photos.

  • In a sense, every work you do is a self-portrait because your paintings always reveal more about you than about your subject. Your experience of something, not the something itself, is the true underlying subject of every work you do.

    Art   Self   Experience  
  • It is bad enough to be condemned to drag around this image in which nature has imprisoned me. Why should I consent to the perpetuation of the image of this image?

  • The thing that's fascinating about portraiture is that nobody is alike.

  • I paint self-portraits because I am so often alone, because I am the person I know best.

    Love   Art   Happy Friday  
    Hayden Herrera, Frida Kahlo (1992). “Frida Kahlo”, Rizzoli International Publications
  • The portrait painter... If he insults his sitters his occupation is gone. Whether he paints the should instead of the features, or the latter with all its natural blemishes, he is as presumptuous as if he shouted, 'What a face. Hide it.' which would never do, although it is analogous to what landscape painters are doing every day.

  • Everything I paint is a portrait, whatever the subject.

  • Portraiture is something that we're all drawn to. I think primarily other forms - we prefer, by and large, to look at human beings than a bowl of fruit.

    Source: www.aaa.si.edu
  • It is in some respect greater love in Jesus to sanctify than to justify, for He maketh us most like Himself, in His own essential portraiture and image in sanctifying us.

    Samuel Rutherford (1824). “Joshua redivivus: or, three hundred and fifty two religious letters ... To which is added, the Author's testimony to the covenanted work of reformation, between 1638 and 1649 ... As also, a large preface and postscript ... by the Rev. Mr. McWard. The tenth edition”, p.253
  • my sitters get tired waiting for commissioned portraits. If they commission me they have to wait years sometimes because I discard so many.

    Tired   Years   Waiting  
  • I leave you my portrait so that you will have my presence all the days and nights that I am away from you.

    Love   Art   Happy Friday  
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