Bridget Jones Quotes
The best sayings about Bridget Jones that you can share on Instagram, Pinterest, Facebook and other social networks!
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In terms of Bridget [Jones] I honestly don't know. One thing I can say for sure is that all of these stories have been an honest, instinctive expression of something I felt or observed at the time. I would never cynically think "Oh that would sell well next."
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Every girl wants to play Bridget Jones.
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So here I am. Twenty-eight years old, with thirty looming on the horizon. Drunk. Fat. Alone. Unloved. And, worst of all, a cliche, Ally McBeal and Bridget Jones put together, which was probably about how much I weighed.
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As Bridget writes to her son, in Bridget Jones' Baby - "if you just keep calm and keep your spirits up, things have a habit of turning out all right, just as they did for me."
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With most of the events in the books [ Bridget Jones Diaries ] I draw a little bit from my own life and some from what I see happening around me.
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On his fight scene with Hugh Grant in Bridget Jones: It was a delicious experience.
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Of course the chronology of the books is a bit back- to - front, and books usually come out before movies. But happily, these [Bridget Jones's] are fictional comedy diaries - not a history of the Battle of Waterloo.
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Bridget Jones' Baby, at heart is about the gap between how you expect life to turn out and how it actually does.
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Oh, I love period dramas, especially period dramas starring Colin Firth. I'm like Bridget Jones if she were actually fat." "Oh... Colin Firth. He should only do period dramas. And period dramas should only star Colin Firth. (One-star upgrade for Colin Firth. Two stars for Colin Firth in a waistcoat.) "Keep typing his name, even his name is handsome.
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I'd been working on the [Bridget Jones's Baby: The Diaries material] for years, first, in the Independent newspaper columns and then in the various versions of the movie scripts.
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Bridget [Jones] was always, at heart, about the gap between how you feel you're expected to be and how you actually are and that gap has only widened. Young people now are entering an uncharted sea, where there's huge pressure to judge yourself on how many Likes or Followers you get on Facebook, Twitter, or Instagram, rather than the on important things like being kind, honest, resilient, funny and a good friend.
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When someone leaves you, apart from missing them, apart from the fact that the whole little world you've created together collapses, and that everything you see or do reminds you of them, the worst is the thought that they tried you out and, in the end, the whole sum of parts adds up to you got stamped REJECT by the one you love. How can you not be left with the personal confidence of a passed over British Rail sandwich?
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Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
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I really love "Bridget Jones's Diary" - and I love the book, too. You wonder how it ever got made into a movie. She's supposed to be chubby, and two of the hottest guys ever are straight-up fighting over her?
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That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.
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Bridget Jones has a lot to answer for.
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I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].
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I'd always hoped to write the story as a novel, but there was a long period when the [Bridget Jones's Baby: The Diaries] movie was stalled and in confusion. I felt frustrated creatively, and just couldn't work on the Baby material till the movie was sorted out.
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With so many dark things to worry about in the world right now, I hope people will just go with the fun and enjoy [ Bridget Jones's Baby: The Diaries].
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If the stories don't come from the inside out, then Bridget [Jones] is not being true to herself and it's very important to me that she stays that way.
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Bridget Jones is part of literary lore now and actually to be a part of it is enormously flattering.
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I tend to take [ to Bridget Jones Diaries] something that nearly happened, or might have happened, and then exaggerate it to make it funny and to make it tie into the themes.
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More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.
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Though with Bridget Jones's Baby: the Diaries, I'd like to make it clear that I did not ever get pregnant by two men.
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When Bridget [Jones] does finally get pregnant, she 's bound to mess it up, but what I tried to show is the importance of love and kindness rather than perfection, and the importance of support from friends who help you to laugh at your mistakes and pick yourself up afterwards.
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Single gals aren't all a bunch of Bridget Joneses, desperate for love.
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I think that's the whole point of Bridget Jones. It's all about that it's okay to fail.
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I was writing an earnest novel about cruises in the Caribbean and I just started writing 'Bridget Jones' to get some money, to finance this earnest work, and then I chucked it out.
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I like you very much. Just as you are.
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